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Subcomandante Marcos lights his
pipe and says straight into the camera, "You've still
got a lot of research to do. I don't know what you have been
doing all this time. How long have you been in Chiapas?"
"Five months," replies filmmaker Nettie Wild. "Hmm..."
says the military commander of the Zapatista uprising, "....I've
been here 12 years and I'm barely starting to understand." |
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Marcos is a pipe-smoking, charismatic contradiction.
He's a "mestizo", a Mexican of mixed Spanish/Indian
blood. He's an intellectual from the city who is the military
leader and spokesman for an indigenous guerrilla army.
On January 1st, 1994, the Zapatista indigenous uprising
took over five towns and 500 ranches in southern Mexico.
Then they started communicating their message to the world
on the Internet. The Mayan Indians of Chiapas were in
Cyberspace. At the keyboard was Subcomandante Marcos.
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Since the first days of the uprising there
has been a nervous ceasefire. Now, three years later, Nettie
Wild and her Canadian/Mexican film crew travel to the jungle
canyons of Chiapas to capture eight months in the elusive
and fragile life of a revolution.
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Marcos is using the media as a long range missile to
hold off 30,000 Mexican army troops who encircle Zapatista
territory. His Internet communiqués challenge the
Mexican government and taunt the entire international
capitalist system. His poetry and rhetoric woo Mexicans
with dreams of a new democracy. His stories tell of the
Indians of Chiapas, who are so poor they are forced to
try and change the world in order to survive it.
In the middle is Bishop Samuel Ruiz Garcia. The Mayan
people call him "Tatic". It means grandfather.
For 30 years the Bishop had worked for peaceful change
in Chiapas. Then in 1994, village after village turned
to the Zapatistas and went to war. Now, the indigenous
people have turned back to the Bishop to mediate a fitful
series of peace talks between the Zapatistas and the government.
In the north of Chiapas, Manuel Garcia lives outside
of Zapatista-protected territory. He and 2000 other indigenous
villagers share the Zapatista dream for change.. But now
they are homeless and living in fear. They are refugees
in their own country. Despite the ceasefire, they have
been forced out of their villages by a government backed
paramilitary group, which ironically calls itself, "Paz
y Justicia" or "Peace and Justice". The
paramilitary group accuses anyone who opposes them of
being Zapatista guerrillas.
On camera, the Peace and Justice accuse the Zapatistas
of violence. Off camera, they threaten to kill the Mexican
members of the film crew. Out of their homes for four
months, the refugees are desperate. They turn to the Bishop
and the Zapatistas for help. But Marcos and the commandants'
hands are tied by the peace talks. The guerrilla army
can't defend the refugees or they will break the ceasefire.
The Bishop is also afraid to make a move for fear Chiapas
will collapse into civil war. The government denies the
paramilitary groups exist. The refugees are left stranded,
pawns in a ceasefire. They are fighting a war on their
own.
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Nettie Wild went to Chiapas to film an uprising.
She ended up framing the entrapment of a revolution. It is
a journey through fear and hope and illusion. In A
PLACE CALLED CHIAPAS, nothing is as it first appears. |
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